



b) Process

Using free hand to deign this bug was different from using the macs since we started this course, i enjoyed this because it wasn't just using computerized tools, you could design it and choose how u wanted it to look.
Drawing the portrait on the apple macs with the tablets, i enjoyed this the most because it looks like its my own portrait i drawn from free hand, and its got more of an animated look to it.
In designing my logo on the apple macs, i enjoyed using illustrator and using different tools to design my logo from different shapes, i could of improved on my saving skills, could of also improved on taking my time in my work.
I succeeded in my monoprint with my two colour contrast, my mono print doesn't show to much detail but it helped me use different ways of creating art, experimenting with different techniques. i could of improved on my work by using different objects, e.g. spoons, blunt or sharp objects, to give a different effect on my print. unexpected errors in my work that are happy accidents give more effect to my work because they add to the colour and give an even contrast of bright and dark.
c) Circumstances that influence design of artefact
Dan Williams Graduated form the Royal Collage of Art and he has worked and lived in London For Over 17 Years.
Dan explores new work and implies them on to his work.
For Dan’s inspiration he travels all over the globe exploring different locations and different sceneries, Capturing the mood and sense of the place. He does this to keep fresh and moving forward.
Recently he has spent 3 months in the countryside, living in a cemetery lodge. This was the big test to see if I was ready to leave London. The results have proved inconclusive. So for now he is working back in his studio, Big Orange, with other illustration compatriates. Dan has worked on a range of books, ECT. Anorak Magazine Winter Edition and Nothing Collective.


Dan Williams Graduated form the Royal Collage of Art and he has worked and lived in London For Over 17 Years.
Dan explores new work and implies them on to his work.
For Dan’s inspiration he travels all over the globe exploring different locations and different sceneries, Capturing the mood and sense of the place. He does this to keep fresh and moving forward.
Recently he has spent 3 months in the countryside, living in a cemetery lodge. This was the big test to see if I was ready to leave London. The results have proved inconclusive. So for now he is working back in his studio, Big Orange, with other illustration compatriates. Dan has worked on a range of books, ECT. Anorak Magazine Winter Edition and Nothing Collective.















